13 October 2012
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Dear Kristin, We're glad you're here--hope you're enjoying the season. Don't forget--we're rehearsing upstairs in the Sanctuary this week. |
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Calendar Oct 15: Butter Braid Sales continue October 15: Rehearsal in sanctuary Oct 22: Butter Braid Orders due, with payment Oct 29: Butter Braids delivered Oct 29, Nov 26, before rehearsal: 40th anniversary committee Nov 5, 5:30pm: Board Meeting, Room 21 Nov 19: Bake & Craft Sale Dec 3, 5:30pm: Board Meeting, Room 21 Dec 8, 3pm: Christmas Concert May 4, 2013: 40th Anniversary Concert |
In this newsletter Butter Braid Fundraiser Bake & Craft Sale scheduled Columbus Day reminder
Rehearsal on Oct 15 in SANCTUARY
CharpentierMore on the Music - Stoplight Voice Tip: posture Practice Music Links Prayer Requests |
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Butter Braids
Bake & Craft Sale Oct 15: Rehearsal in Sanctuary Rehearsal upstairs, in the Sanctuary, so we can test out concert seating/standing arrangements and acoustics.
Concert Program Advertising
More on the Music...
Charpentier was trained in Italy, where he acquired a thorough understanding of contemporary Italian musical practice. This he brought back to Paris. From about 1660-1687 he worked as a house composer to Marie de Lorraine, duchesse de Guise, who was known as “Mlls de Guise.” Charpentier composed a considerable quantity of vocal works for her, including masses, oratorios, and psalm settings. During this time he also accepted many outside commissions. When Moliere had a falling-out with the composer Jean-Baptiste Lully in 1672, it was Charpentier who, for the next fifteen years, composed music for Moliere’s plays. During this time, Charpentier also composed for the Jesuits; this Messe de Minuit probably dates from 1690 and was composed for the great Jesuit church of St. Louis in Paris.
Very little of Charpentier’s music was published during his lifetime. But he himself collected his music, as well as his theoretical discussions, in many volumes. In November 2009, one of these theoretical volumes in Charpentier’s own hand was discovered in a library in Bloomington, Indiana. So Charpentier continues to be re-discovered for the important composer that he was. Stoplight Vocal Tip How’s your posture? When you drive, do you assume the “Mario Andretti” race-car posture, leaning way back and almost prone? Even in a comfortable seat, that’s hard on your back. Check your posture this week at that stop light. Are your spine and neck lined up over your “sit bones, ” those little pointy bones that you – well – sit on? If you make an effort to line all those up – sit bones, spine, neck head - you will have less tension in the singing portion of your body. And that’s our goal: no tension in your shoulders, back, neck, head, so that the vocal mechanism is free to work. And, at that stop light, don’t let the turned-up-bass in the car next to you dissuade you from your tension-free posture. Practice Music Links Gary DeKler and Taralena David are working on practice CDs. In the meantime, please try to listen to the recordings below. It's even more helpful if you can read your sheet music while you listen.
Messe de Minuit pour Noël - Kyrie (Charpentier)
Prayer Requests
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